Before launching Singapore-based practice Architology at the end of 2010, co-founder Terrence Quah studied architecture at the University of Singapore and graduated with a Masters in Architecture after 5 years of what he describes as ‘intensive architectural training balanced with an intentional stint in practical experience’. At a time when the building industry is taking a long needed look at its impact on the planet, one of the key objectives for the firm is the minimisation of waste and resources across their projects. Here, we catch up with Quah to discuss projects including an academy for snooker legend Ronnie O’Sullivan and the Bespoke Hotel in Kuala Lumpur, as well as Architology's two recent Tatler Design Awards.
More Space: Hi Terrence, congratulations on winning two 2021 Tatler Design Awards. Can you describe Architology's design philosophy?
Terrence Quah: Boldness, purity, elegance and liveability. These four words distil the essence of our design approach.
What's the best thing that has happened to the studio recently?
Receiving a Top Interior Designer (Contemporary) Tatler Design Award, plus another win for Best Bespoke Concept for the Goodwood Residence. What type of clients and projects do you like to take on? I’m always looking for a good design challenge. We like clients and projects that challenge our design approach and experience in a positive way that is clearly defined. When a design brief is unclear or constantly changing, it is very draining to work on design iterations for a moving objective. What has been a defining project for your practice? A defining project for us is the Bespoke Hotel lobby in Kuala Lumpur. We challenged ourselves to deliver a unique and iconic design on a budget. We did this by using inexpensive materials that, like elegant thread work in a bespoke suit, we elevated. It was defining for us because we challenged ourselves to create a strong design concept and space by using industrial materials like raw rebar in a new way. We also took on the role of lighting designers. We taught ourselves how to calculate lux levels manually to ensure that our lighting scheme for the vaulted ceiling would achieve the correct luminance.
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